We would like to thank the artist for kindly providing additional information.
Condition Report: Fine, harmonious overall appearance. The colours fresh. The canvas is not relined and mounted on the original stretcher. The paint surface, in places, with subtle differences in surface shine; along the edges, in places, light abrasion of the upper paint layer. Above the middle stretcher bars, due to the artist's technique, very subtle irregularities in the paint application. Mainly in the left purple triangle, very isolated faint liquid stains as well as in the upper left corner a minuscule metallic particle adhering to the surface. Under ultraviolet light in the margins, very isolated faint fingerprints visible, otherwise no retouchings or repairs visible
Oil on canvas, with artist's framing. 50 × 150,4 cm
(19 ⅝ × 59 ¼ in.). Signed, dated twice and titled in black felt-tip pen on the reverse: jbill 90 1990 no. 16. On the stretcher with the label with work information of Galerie Hans Mayer, Düsseldorf. [3313] Framed
We would like to thank the artist for kindly providing additional information.
Condition Report: Fine, harmonious overall appearance. The colours fresh. The canvas is not relined and mounted on the original stretcher. The paint surface, in places, with subtle differences in surface shine; along the edges, in places, light abrasion of the upper paint layer. Above the middle stretcher bars, due to the artist's technique, very subtle irregularities in the paint application. Mainly in the left purple triangle, very isolated faint liquid stains as well as in the upper left corner a minuscule metallic particle adhering to the surface. Under ultraviolet light in the margins, very isolated faint fingerprints visible, otherwise no retouchings or repairs visible
