Caroline Heinecke. Headless Match, from the series “Masters of Things”. 2019. Ditone print, 2023. Hahnemühle Photo Rag paper. 39.8 × 29.7 cm. EUR 600–800 // Anna & Bernhard Johannes Blume. Vasen-Ekstase. 1987. Gelatin silver print on Agfa-RC paper. 38.5 × 27 cm (40.5 × 30.4 cm). EUR 500–700
Event
Tu, 09.01.2024 - Sa, 27.01.2024
Export eventMunich Representative Office
Türkenstrasse 104
80799 Munich
Munich
Tuesday, 9 January, 7pm
Grisebach, Türkenstraße 104, 80799 Munich
muenchen@grisebach.com
Talk guests: Caroline von Courten (Der Greif), Monika Bayer-Wermuth (Museum Brandhorst), Diandra Donecker (Grisebach)
Berlin
Saturday, 27 January, 1pm
Grisebach, Fasanenstraße 25, 10719 Berlin
events@grisebach.com
Talk guests: Caroline von Courten (Der Greif), Christian Ganzenberg (freier Kurator), Diandra Donecker (Grisebach)
DER GREIF is an award-winning contemporary photography organization. Through crowdsourcing, DER GREIF brings together diverse voices and provides a platform and visibility for a range of practitioners and their works. Since 2008, DER GREIF has engaged with topics like changing authorship perceptions, image de- and re-contextualization, appropriation, and artistic approaches to photographic archives and remix culture.
DER GREIF's publications demonstrate how pairings of images by different authors can generate new meanings. DER GREIF explores the creation, distribution, and reception of images – in print, on screens, and in exhibitions. The organization reflects on and questions the role of images: how we construct and perceive our environment and our respective responsibilities within it.
Since issue #11, DER GREIF has been guest-edited by artists Jason Fulford, Broomberg & Chanarin, Penelope Umbrico, Sylvie Fleury and Shirin Neshat.
DER GREIF has worked with institutions such as FOAM, Aperture Foundation, C/O Berlin, Fotomuseum Winterthur and published works from about 3.000 photographers, artists and authors in printed publications as well as online.