The painting originates from the collection of Emil Bonnichsen, the favourite nephew of Emil Nolde. He was appointed by the artist to after his death represent the family in the Board of Trustees of the Ada and Emil Nolde-Stiftung Seebüll. With entry into the board Emil Bonnichsen was allowed to choose a painting..
Exhibition
Emil Nolde. Tondern, Museum, 1951, cat. no. 38 / Emil Nolde. Odense, Fyns Stiftsmuseum, 1956. cat. no. 25 / Emil Nolde. Kopenhagen, Schloss Charlottenborg, 1958, cat. no. 66 / Emil Nolde. Nykøbing Sjælland, Anneberg, 1967, cat. no. 12 / Sommergäste. Galerie Pels-Leusden, Berlin/Kampen, 1994, no cat. no., ill. p. 33
Oil on canvas. 78 × 87 cm
(30 ¾ × 34 ¼ in.). Signed in the lower centre: Nolde. Titled on the stretcher: Feuerlilien und Rittersporn. Catalogue raisonné: Urban 913 (ill. falsely at no. 1261). [3028] In artist's frame
Provenance
Emil Bonnichsen (nephew of the artist and Member of the Board of Trustees of the Stiftung Seebüll Ada und Emil Nolde), Bylderup-Bov / Private Collection, Berlin (acquired 1994 at Galerie Pels-Leusden, Berlin/Kampen (Sylt))
The painting originates from the collection of Emil Bonnichsen, the favourite nephew of Emil Nolde. He was appointed by the artist to after his death represent the family in the Board of Trustees of the Ada and Emil Nolde-Stiftung Seebüll. With entry into the board Emil Bonnichsen was allowed to choose a painting..
Exhibition
Emil Nolde. Tondern, Museum, 1951, cat. no. 38 / Emil Nolde. Odense, Fyns Stiftsmuseum, 1956. cat. no. 25 / Emil Nolde. Kopenhagen, Schloss Charlottenborg, 1958, cat. no. 66 / Emil Nolde. Nykøbing Sjælland, Anneberg, 1967, cat. no. 12 / Sommergäste. Galerie Pels-Leusden, Berlin/Kampen, 1994, no cat. no., ill. p. 33
