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Online Only Modern & Contemporary Art x Toni Garrn Foundation, 20.2.-8.3.26

This picture shows the following artwork: Ludwig von Hofmann. Liegender Bison in zwei Ansichten (Reclining bison in two different views). Circa 1900.
This picture shows the following artwork: Ludwig von Hofmann. Liegender Bison in zwei Ansichten (Reclining bison in two different views). Circa 1900.
This picture shows the following artwork: Ludwig von Hofmann. Liegender Bison in zwei Ansichten (Reclining bison in two different views). Circa 1900.
This picture shows the following artwork: Ludwig von Hofmann. Liegender Bison in zwei Ansichten (Reclining bison in two different views). Circa 1900.
This picture shows the following artwork: Ludwig von Hofmann. Liegender Bison in zwei Ansichten (Reclining bison in two different views). Circa 1900.
This picture shows the following artwork: Ludwig von Hofmann. Liegender Bison in zwei Ansichten (Reclining bison in two different views). Circa 1900.
This picture shows the following artwork: Ludwig von Hofmann. Liegender Bison in zwei Ansichten (Reclining bison in two different views). Circa 1900.
This picture shows the following artwork: Ludwig von Hofmann. Liegender Bison in zwei Ansichten (Reclining bison in two different views). Circa 1900.
1301 Ludwig von Hofmann

Darmstadt 1861 – 1945 Pillnitz

Liegender Bison in zwei Ansichten (Reclining bison in two different views). Circa 1900

Chalk on laid paper. 26 × 35,7 cm (10 ¼ × 14 in.). Monogrammed lower right: LvH. [3647]

Provenance

Walter Bauer, Fulda (thence by descent to the present owner) / formerly collection Carl Georg Heise, Hamburg

EUR 500

 

- 700

Auction 759

Sunday, March 8th 2026, 6:00 PM

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Condition Report: Harmonious overall appearance. At the lower edge on the left, 2 minuscule tears (0,5 cm). In the lower corners, small losses of substance (to 0,5 x 1 cm) due to paper thinnings from the removal of adhesive mounting on the reverse; the V-shaped tear in the upper corner closed by paper mounting on the reverse. The paper unevenly sligthly time stained and with technique-related scuffing. Along the edges, slight pressure marks from the mat window. On the reverse, in places slight scuff marks. In the upper corners, remnants of brown and white paper adhesive strips from former mounting

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