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Lot

1987

Robert Michel

Vockenhausen 1897 – 1983 Titisee-Neustadt, Germany

”8-ung, echt Kunst, mehrfach eingerahmt”. 1955

Pen and India ink, opaque white and pencil on brown cardboard, paper and card collage on insulation board. 7,7 × 6,5 cm (20,7 × 19,7 × 1,3 cm) (3 × 2 ½ in. (8 ⅛ × 7 ¾ ×   ½ in.)).
This picture shows the following artwork: Robert Michel. ”8-ung, echt Kunst, mehrfach eingerahmt”. 1955.

Background:

This picture shows the following artwork: Robert Michel. ”8-ung, echt Kunst, mehrfach eingerahmt”. 1955.
This picture shows the following artwork: Robert Michel. ”8-ung, echt Kunst, mehrfach eingerahmt”. 1955.

Background:

This picture shows the following artwork: Robert Michel. ”8-ung, echt Kunst, mehrfach eingerahmt”. 1955.
This picture shows the following artwork: Robert Michel. ”8-ung, echt Kunst, mehrfach eingerahmt”. 1955.

Background:

This picture shows the following artwork: Robert Michel. ”8-ung, echt Kunst, mehrfach eingerahmt”. 1955.

Estimate:

EUR 3,000

 

- 4,000

Auction 762

Sunday, 16.08.2026, 6:00 PM

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Information

Pen and India ink, opaque white and pencil on brown cardboard, paper and card collage on insulation board. 7,7 × 6,5 cm (20,7 × 19,7 × 1,3 cm) (3 × 2 ½ in. (8 ⅛ × 7 ¾ ×   ½ in.)). Monogrammed lower left on the cardboard: RMi. Signed, titled, inscribed with the work number and inscribed in black ink: R. Michel: "8-ung, echt Kunst, mehrfach eingerahmt“ No. 2/55 OZ-COL: TU+DECKWEISS. [3183]

Condition Report: Very fine, harmonious overall appearance. The black paper passepartout frame at corners and along the edges, with a few minor scuffs and nicks, otherwise without tears or losses. At the right edge of the brown cardboard, one minuscule paint loss. The inner ornamental framing at the top left and centre left, each with a pressure line due to the artist's technique. The light-coloured framing slightly staining and with minuscule mounting holes, dotted over with opaque white by the artist. Isolated, minuscule spots of opaque white, mainly in the upper left corner. Ultraviolet light reveals no retouchings or repairs. On the reverse, in places faintly scuffed

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