Condition Report: Gelatin silver print in very good condition. Matte paper. Blacklight tested, no fluorescence. In the lower right corner, there is a faint vertical scratch line, approx. 4 cm, visible only in raking light. With silvering in the edge area. Original cardboard with heavy signs of wear: lower corners each with a loss. Wavy area at bottom left due to moisture (approx. 5 x 6 cm). Vertical tear at top center, approx. 7.5 cm long, taped at top edge with brown paper tape (approx. 5 cm long). Additional brown paper tape at left edge, approx. 20 cm long. Further faint crease marks, small losses and brownish discoloration in the edges, as well as a few tiny nail holes. Slight abrasion along the top edge, approx. 1 cm wide. Back of the cardboard with foxing and traces of previous mounting with nails in the edges

Stephan Steins (ed.): Max Baur. Im Geist des Bauhaus. Fotografien 1925-1960. Zürich/New York 2001, p. 37 (there titled: Die Potsdamer Vision) / Exh. cat.: Potsdam, ein Paradies für meine Kamera. Max Baur. Fotografie. Potsdam Museum - Forum für Kunst und Geschichte, 2018, 121, p. 62