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3034

Jan Brueghel the Younger

1601 – Antwerp – 1678

Rolling landscape, rest on a country road. In the late 1620s

Oil on oak. 38,7 x 55,4 cm (15 ¼ x 21 ¾ in.).
This picture shows the following artwork: Jan Brueghel the Younger. Rolling landscape, rest on a country road. In the late 1620s.

Estimate:

EUR 80,000

 

- 120,000

USD 89,300

 

- 134,000

Sold for:

187,500 EUR (incl. premium)

Auctions 237-246

The Rohde-Hinze Collection 1 – Old Masters, Friday, 03.07.2015

Information

Oil on oak. 38,7 x 55,4 cm (15 ¼ x 21 ¾ in.). On the reverse embossed marks: Hand [guild mark of the Antwerp panel makers] / On the reverse in grease pencil: 4 8. Catalogue raisonné: Accompanied by a certificate by Cornelis Hofstede de Groot, ’s-Gravenhage, dated February 1926, no. 3000, where described as "ein echtes und karakteristisches Werk von Jodocus des Momper (Landschaft) und Jan Breughel dem Aelteren (die Staffage)“ (in the original) / accompanied by a certificate by Max J. Friedländer, Berlin, dated 11 April 1927, where described as "ein feines u. Charakteristisches Werck von Jod. De Momper. Die Figuren rühren von Jan Brueghel her“ (in the original) / accompanied by a certificate by Klaus Ertz, Lingen, dated 28 January 2015. Not inlaid. Framed

Comparable works by Jan Brueghel the Younger: Weite Landschaft mit Windmühle, late 1620s, wood, 41 x 62 cm, Munich, Alte Pinakothek, inv. no. 830 / Landscape with Travellers and Bittern Hunters, late 1620s, wood, 43,5 x 73,5 cm, 1983 Paris, Galerie Aaron / Country Road, 1630s, wood, 48 x 67 cm, St. Petersburg, Hermitage, inv. no. 2246.

Comparable work by Jan Brueghel the Elder: Waldige Landschaft mit Figuren, circa 1605/10, copper, 16 x 26,5 cm, Frankfurt am Main, Städel Museum, inv. no. 1220.

Related literature: Klaus Ertz: Jan Brueghel der Jüngere. Die Gemälde mit kritischem Œuvrekatalog, Freren 1984, cat. no. 15, 19, 23 / Klaus Ertz and Christa Nitze-Ertz: Jan Bruegehl der Ältere, Lingen 2008–10, volume I, cat. no. 21 , ill.

We would like to thank Klaus Ertz, Lingen, for confirming the authenticity from the original..

Galerie Fritz Rothmann (1893–1983), Berlin / 1926 collection Kurt Rohde, Berlin / collection Elisabeth Rohde, Berlin.

Source, collection Rohde-Hinze: Receipt Galerie Fritz Rothmann, Berlin, 12. October 1926, 1.300 RM

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