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185

Max Liebermann

1847 – Berlin – 1935

„Dorfstraße in Militsch – Landschaft mit Teich“. 1883

Oil on paper on cardboard. 22,2 × 35,3 cm (8 ¾ × 13 ⅞ in.).
This picture shows the following artwork: Max Liebermann. „Dorfstraße in Militsch – Landschaft mit Teich“. 1883.

Estimate:

EUR 40,000

 

- 60,000

USD 42,700

 

- 64,000

Sold for:

50,000 EUR (incl. premium)

Spring Auctions 2017

19th Century Art, Wednesday, 31.05.2017

Information

Oil on paper on cardboard. 22,2 × 35,3 cm (8 ¾ × 13 ⅞ in.). Signed and dated lower right (the last number blurred): M. Liebermann 83. On the reverse, remnants of a label of Paul Cassirer as well as a Swiss customs stamp. Catalogue raisonné: Eberle 1883/10. Framed

The painting is offered for sale with the explicit consent of the heirs of Arthur Nahm.

Galerie Paul Cassirer, Berlin (no. 477, „Landschaft mit Teich“) / Heyser & Rudolf (acquired at Paul Cassirer, 4.11.1908) / Arthur Nahm, Mannheim / Galerie von Vertes, Munich (until Febr. 1992) / private collection, Berlin (April 1992 until October 1993) / Kunstkreis, Berlin (acquired October 1993)

Liebermann. Cannes, La Malmaison, and Lutherstadt Wittenberg, Cranach-Haus, 1996, colour ill. p. 15 / Max Liebermann. Dessau, Orangerie des Georgiums, 2000, colour ill. p. 13 / Max Liebermann. Poesie des einfachen Lebens. Schwäbisch Hall, Kunsthalle Würth, 2003/04, list of works p. 216, colour ill. p. 74 / Reiselust und Sinnesfreude. Corinth, Liebermann, Slevogt. Apolda, Kunsthaus Apolda Avantgarde, and Aschaffenburg, Kunsthalle Jesuitenkirche, 2011/12, cat. no. 25, colour ill. p. 91 / The Era of Passion. Picasso to Chun Kyung Ja. Jeonbuk, Museum of Art, 2014/15, colour ill. p. 87

Weltkunst, LVIII, 1988, vol. 10, colour ill. p. 1576 / Holly Prentiss Richardson: Landscape in the Work of Max Liebermann. PhD. Diss., 3 vols. Ann Arbor, Brown University, 1991, here vol. II, p. 22, no. 34 /Katrin Boskamp: Studien zum Frühwerk von Max Liebermann mit einem Verzeichnis der Gemälde und Ölstudien von 1866–1889. Hildesheim–Zürich–New York, Georg Olms Verlag, 1994 (= Studien zur Kunstgeschichte, vol. 88), vol. no. 176 (on the basis of available sources doubted the authenticity of the study)

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